Ian Thal
When it comes to dramatic debate, balanced parry and thrust are paramount.
Maureen Keiller and Will Lyman have performed numerous staged readings of Oh God and their intimate knowledge of the text shows.
Zahdi Dates and Poppies demonstrates that the formal aspects of Noh can be adapted to contemporary American themes.
Anne Washburn has a number of good ideas in this play, but the execution falls short.
Director Lee Mikeska Gardner has put together a dazzling production that matches Tom Stoppard’s dazzling script.
Despite this, he is vexed by how the play draws out the anti-Semitism of English audiences
Fast Company may be light entertainment, but director M. Bevin O’Gara has assembled her own remarkable crew for this breezy caper comedy.
With conformity on the march, Ionesco’s Rhinoceros remains as timely as ever.
Okada’s play reflects how skepticism has become the default stance for young adults shellshocked by post-recession economic restructuring.
The Convert is a complex historical drama that shows us individuals crushed among powerful contradictions.
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