Ian Thal
The Housekeeper may be too conventional for its own good, but it is intelligently crafted and engagingly entertaining.
Read MoreIt is strange that Citizens of the Empire is so weirdly underdeveloped, given that it has been in development for quite a while now.
Read MoreThe ASP’s superb production of The Winter’s Tale provides a unusually deft fusion of tragedy and comedy.
Read MoreThe timeliness of this staged reading made for one of the most heated and engaged talk-backs for any of the presentations in Israeli Stage’s six-year history.
Read MoreDramatist Katori Hall’s narrative unfolds with few surprises: every revelation, every secret, every comeuppance is foreshadowed.
Read MoreDavid Ireland’s use of coded sectarian language helps him paint a vivid picture of the Belfast his characters call home.
Read MoreDespite the dazzling rewards of this virtuoso Underground Railway Theater production, Copenhagen short circuits its central theme.
Read MoreThe laughter in the production serves a useful purpose: it distract us from the serious narrative problems in Caryl Churchill’s script.
Read MoreWesley Savick not only does a fine job of adapting Alan Lightman’s text, but in his role as director he squares the circle.
Read MoreASP director Bridgette Kathleen O’Leary chooses a nuanced approach to Othello that hews closely to the text.
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