Ian Thal
This staging of Much Ado About Nothing would make an excellent ice-breaker for a discussion between adolescents and adults about sexting
Read MoreIn interesting ways, German Stage’s ongoing exploration of Germany’s immigrant populations provides a lens through which we can evaluate how we perceive our immigrants and how we treat them.
Read MoreThe intriguing notion of a down-and-out clown troupe struggling with a classic text propels this superb production.
Read MoreDirector Jenna Ware’s adaptation (a world premiere) of Carlo Goldoni’s inspired zaniness puts a delightfully distinctive spin on a classic of clowning.
Read MorePlaywright Amir Al-Azraki is in the camp that believes that the Iraqis themselves bear much of the responsibility for the chaos in their country.
Read MoreDoes the distrust of (even a little) narrative ambiguity by North American dramaturgs and audiences mean that international plays must be made more ‘cinematic’ when they are produced here?
Read MoreIcarus proffers plenty of spectacle and talent, but the show only recycles a story we’ve seen countless times on stage and screen.
Read MoreDramatist Savyon Liebrecht was recently in the Boston area for a residency with Israeli Stage — two of her scripts, both dealing with Freud and his legacy, received their world premieres here as workshop productions.
Read MoreFort Point Theatre Channel made a call for submissions for a new play to serve as a companion piece to “Krapp’s Last Tape.” The result: a performance of Samuel Beckett’s classic with the world premiere of “The Archives” by Skylar Fox.
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