Arts Fuse Editor

Theater Review: “The Minutes” on Broadway Beguiles and Befuddles

April 29, 2022
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Pulitzer Prize-winner Tracy Letts’s new Broadway play features an intriguing premise and a shocking denouement.

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Film Review: “The Survivor” – (Living in the Past, Looking to the Future)

April 28, 2022
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Ben Foster shines in Barry Levinson’s grim tale of love, loss, and hope.

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Jazz Album Review: Catherine Russell’s “Send for Me” — A Deep Dig into the Jazz of the ’30s and ’40s

April 28, 2022
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If you’re a fan of the Great American Songbook, but have grown weary of the warhorses, Send For Me is a treat.

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Film Review: “The Wobblies” — A Moving Story of a Largely Forgotten American Class Conflict

April 28, 2022
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After premiering at the New York Film Festival in 1979, this powerful documentary about one of the most dramatic periods in American labor history has been newly restored.

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Film Review: “Resurrection” at the Independent Film Festival Boston

April 27, 2022
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What lifts Resurrection above the standard victim-becomes-avenger routine is a preposterous — in a wonderfully sick way — claim that gives the movie a welcome touch of giallo unpredictability.

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Classical Album Review: “Opalescent” from the Los Angeles Guitar Quartet

April 27, 2022
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Opalescent’s overriding aspect is celebratory – but from a variety of angles.

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Children’s Book Reviews: A Trio of Stories That Explore the Meaning of Love

April 27, 2022
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Three looks at love that may help generate some interesting conversations about what love means in the lives of children.

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Theater Review: “Our Daughters, Like Pillars” — Bearing the Weight

April 26, 2022
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Kirsten Greenidge’s epic comic drama is a spot-on examination of the challenges changing times pose to evolving families.

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Television Review: “The Survivor” — What Price Survival?

April 26, 2022
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The Survivor examines what happens to someone who made the decision to survive in Auschwitz — no matter how.

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Film Review: “The Northman” — You-Are-There with the Viking Beserkers, Nuttiness and Magic Galore

April 25, 2022
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The Northman is grounded in a manically precise capture of the Nordic world of the 9th century AD, but refracted through the lens of a whacked-out visionary in a spew of eye-popping images.

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