Arts Fuse Editor
Life on Earth aches with the sadness of the human condition, touching on personal trauma and reaching into the malaise of a week of national bad news.
It’s welcome to have a Latino-centered Father of the Bride, but it’s debatable if we really needed one this clumsily put together.
The brilliant set was a celebratory exploration of Molly Tuttle’s bluegrass roots, albeit with a fresh perspective.
For 2 hours and 39 minutes, I was happy to sell my soul to Lucifer
“I’m really dark. Everything I write is dark. Most people don’t know what dark fiction is, but agents ask for it.”
I wrote last week that the best films at the Tribeca Film Festival tended to be documentaries. Then I saw a scripted German film that turned out to be an exception.
The Black Phone is not just about kids fighting to live. It’s about kids fighting to be seen, and in the case of the film’s literal ghosts, heard.
What elevates An Iliad beyond the routine is MaConnia Chesser’s dazzling performance as The Poet.
Common Ground Revisited infuses new life into J. Anthony Lukas’s book, but it doesn’t offer any easy answers. The play fills in the fine details, deepening our understanding of how we got here and how far we have to go.
Visual Arts Commentary: Dishing It Out — Boston’s Arts and Crafts Movement Ceramic Leadership
Believe it or not, Boston — the home of stick in the mud, architectural and decorative conservatism — was the initial epicenter of the Arts and Crafts Movement in America.
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