Arts Fuse Editor
In a world riven by war and flirting with Armageddon you’d be forgiven for wondering how the microcosmic hothouse of Fire could command your attention. The answer: director Claire Denis’s artistry.
This series presents a compelling perspective on the relativity of determining crime and punishment.
Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.
Moissey Vainberg’s opera powerfully evokes the brutality of Hitler’s extermination camps and the moral ambiguity of postwar Germany.
Actress and MS advocate Selma Blair’s memoir is not just another celebrity tell-all, filled with smarmy self-congratulation.
When did we last see a novel of such stimulating complexity that’s so downright hopeful too?
Puscifer pulled off a great show of rock ’n’ roll farce, and that is saying something considering that the daily news feels ever more like scripted buffoonery.
This year marks the 150th anniversary of the birth of the Black American poet Paul Laurence Dunbar, and this new biography does a thorough and compelling job in telling the story of a remarkable and partially tragic life.
The high quality of the material presented thus far justifies Tedeschi Trucks Band’s decision to release these songs in small batches over the course of three months.
Theater Commentary: What’s a Fringe Theater in Boston to Do Today?
My point is obvious: real estate is key to the survival of the small theater scene.
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