Arts Fuse Editor
“The Day Is Coming” continues the album’s momentum. Similar to “Victory Dance,” the song starts with a chorus of odd vocals. However, these are catchier, and are soon followed by the arrival of spastic guitar, pounding drums, and chord-tastic pianos.
“Page One” is quite interesting but also quite scattered. You’ll exit the theater knowing a couple things about the New York Times, and maybe feeling like you got an idea about the characters of some of the talented, humorous, and interesting personalities that put it together.
Enthusiasm simply wasn’t enough to salvage the production — the musical comedy 2010 contains too many pitfalls to overcome.
Time travel in movies, whether treated as farce or serious sci-fi mind-bending, sometimes excites us by challenging the idea that we’re trapped in a linear chronology from which we cannot escape, racking up regrets, mistakes, and old-age as we go
Hard economic times hit artists in many different ways. One of the least remarked upon is when there is no longer enough cash for the studio. A local artist, who would prefer to remain anonymous, contemplates the end of having a space where creativity and independence can thrive.
SUBMARINE director Richard Ayoade has good taste. He loves movies so purely and energetically that it’s fun to watch him borrow from his favorites and patch together something new.
There are wonderful, beautiful things about The Tree of Life. But despite being innovative and important, despite inspiring awe, it envisions a kind of transcendent greatness that it itself does not quite embody. Tree of Life. Directed by Terrence Malick. By Taylor Adams. Nothing if not prophetic, director Terrence Malick quotes from The Book of…
June marks a sluggish start to the summer movie season, but it’s not without a few big events. New films from art-house hero Terrence Malick and Lost creator J.J. Abrams promise to be must-sees for different segments of movie buffs, and fans of older cinema will have plenty on their plate with throw-back screenings at the Brattle and a Luis Buñuel retrospective at the HFA.
Given these challenging cosmic themes and a nonlinear style, it’s unsurprising that most of Paul Simon’s So Beautiful or So What lacks vivacity. Still, the album maintains Simon’s reputation as one of the best songwriters in the business. By Michela Smith Paul Simon adores tinkering with words. In the past, lyrics like “when the radical…
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