Arts Fuse Editor
Roger Grenier wears his considerable learning lightly. His writing is a graceful dance of the intellect.
RUBBERBANDance shares some elements of the new-circus genre: a set of very specialized and spectacular physical skills, and the idea that although circusy movement can bombard the audience with thrills, it can also imply human relationships.
In an architectural sense, the Edward M. Kennedy Institute is too quiet a visual statement.
The strong connections between Andy Warhol’s early drawings and his later Pop-pieces become clear as you walk through the exhibition.
Woman in Gold has novelty going for it — it is a film that depicts a woman’s passionate relationship to a piece of art.
Featuring seven short dances by stellar choreographers of contemporary dance, the Harvard Dance Center’s spring program promised some rare enlightenment.
Arts Fuse critics select the best in film, theater, music, dance, visual arts, and author events for the coming week.
Two current productions make vivid cases for the strength of Canadian theater.
For all the attention it receives and the level of cultural relevance it assumes House of Cards ought to be a much better series than its aggressive promotion makes it out to be.
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