Arts Fuse Editor
Both of these entries in Jewishfilm 2015 have their entertaining moments, but the movies ultimately fail to deliver.
Peter Gizzi is a master at allowing his poetic language to summon its own range of meanings, rather than blatantly declaring them to the reader.
MOMIX proffers something for everyone: acrobatics, dance, theatre, and delightful visual deception.
Arts Fuse critics select the best in film, theater, music, dance, visual arts, and author events for the coming week.
The three choreographers used the streams of sound as an opportunity to provide floods of movement challenges to the terrific dancers of the company.
Slow West bursts with visual interest, but doesn’t seem to be able to settle on what story it wants to tell.
Arts Fuse critics select the best in film, theater, music, dance, visual arts, and author events for the coming week.
Back To Fort Scott, a compact, affecting exhibition of meticulously printed black and white photographs, is like a grainy, retro speed bump between the museum’s adjacent galleries.
True Story relies far too heavily on answering the formulaic question ‘Did he do it?’
Fuse Commentary: The Value of Browsing and Discovering That the “Shit Must Stop”
Sometime you go in search of one thing, and you stumble upon something else. And maybe that newly discovered thing is something wonderful.
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