Arts Fuse Editor
Blues feeling remains as unpredictable as ever. Who would have guessed that its strongest incarnation this year so far would be Ironing Board Sam’s Super Spirit?
My biggest gripe is with a central tenet of Jonathan Franzen’s fiction: communication between generations is impossible.
Doug Varone’s strong sense of design, color, and music lends depth and a certain mystery to his dances.
The “treats” being offered throughout Spektrel’s four dances are an eclectic variety of movement, music, and moods.
Arts Fuse critics select the best in film, theater, dance, music, visual arts, and author events for the coming week.
If the first episode is any indication, season two of FX’s Fargo is going to be an almost pitch-perfect sophomore effort.
Filmmaker Alexandra Anthony’s ambitious debut documentary was, in essence, fifty years in the making.
Harold Pinter’s language can be enigmatic and deliberately bizarre, but it suggests arcs of passion and desire.
Clive James gets the most out of whatever’s on the page and isn’t shy about making larger connections.
Divided into three acts and an epilogue, the film attempts to generate Shakespearean resonances, but the presentation is more mundane than tragic.
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