Arts Fuse Editor
The Love Witch is sure to be one of the year’s most talked about achievements in cinematography.
What the play lacks in surprise, the Wilbury treatment makes up for in excellent staging, acting, and a commitment to physical theater.
Arts Fuse critics select the best in theater, visual arts, film, music, author events, and dance for the coming week.
Pop culture visions of witches and witchcraft are growing, signs that a looming age of superstition and scapegoating is on the way.
Leonard Cohen wrote with a mature poet’s sense of compression and depth.
How Soft the Lining brings considerable emotional power to bear on its exploration of the complexities of American history.
Bill T. Jones considers himself an heir of the postmodern dancers.
Craig Atkinson’s incendiary new documentary provides sobering food for thought on the rise of police brutality and intimidation in America.
Reviews of a trio of films at the Boston Jewish Film Festival.
Adventurous, exciting, and thought provoking, Aurea is dedicated to an interdisciplinary vision of the arts.
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