Arts Fuse Editor

Coming Attractions: July 30 through August 15 — What Will Light Your Fire

July 30, 2017
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Arts Fuse critics select the best in film, dance, visual arts, theater, music, and author events for the coming weeks.

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Book Review: “No Is Not Enough” — Damned by Branding

July 30, 2017
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Naomi Klein argues that the more anxious we are, the more vulnerable we are to politically opportunistic manipulation.

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Film Review: “Landline” — A Compelling Comedy-With-Drama

July 28, 2017
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Landline is a textured, often funny and subtly acted portrait of a family experiencing rumblings set off by sexual affairs.

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Music Interview: The Americano Groovers — Los Texmaniacs Come to Rhode Island’s Rhythm and Roots

July 28, 2017
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Chances to hear conjunto music in New England are rare; bravo to the Lowell Folk Festival and Rhode Island’s Rhythm and Roots.

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Dance Review: Skeleton Architecture — Embracing the Silence

July 27, 2017
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I enjoyed the working-out of all this material, and the beautiful dancers, but I sometimes felt I was back in the consciousness-raising ’60s and ’70s.

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Visual Arts Review: “Vibrations: A Sound Experience” at Boston Cyberarts Gallery

July 26, 2017
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With Vibrations: A Sound Experience, Boston CyberArts continued to live up to its demanding mandate — to expand our artistic horizons.

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Theater Review: “Waiting for Waiting for Godot” — No Exit From the Green Room

July 24, 2017
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Dave Hanson’s comic confection, Waiting for Waiting for Godot, is generating plenty of giggles in the back room theater at Club Café.

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Film Tribute: George Romero — A Legacy of Blood, Invention, and Survival

July 23, 2017
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Even after death, the human instinct is to kill or be killed.

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Poetry Review: Bill Knott’s American Surrealism – A Magic Carpet Ride

July 22, 2017
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Perhaps what makes bill Knott’s poetry so addictive is his uncanny ability to turn language inside out.

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Theater Review: “The Changeling” — A World of Lust, Lies, and Ambition

July 17, 2017
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Canada’s Stratford Festival is offering a rare (and treasurable) opportunity to see this Middleton/Rowley gem performed on stage.

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