Arts Fuse Editor

WATCH CLOSELY: “Black Mirror” — Reflecting Our Dark Days

January 4, 2018
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What has Black Mirror been good for, beyond entertainment, if not drawing our attention to escalating social and technological perils?

Theater Review: “The Wolves” — Theater of the Prosaic

January 3, 2018
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Perhaps the theatre of millennials will resemble Reality TV, resistant to suggestive metaphor and the rewards of complex narration.

Commentary: #MeToo and Dethroning Rock Deities

January 2, 2018
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We have the obligation to look behind the music and the culture that glorified and perpetuated it.

Coming Attractions: January 2 through 16 — What Will Light Your Fire

January 2, 2018
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Arts Fuse critics select the best in film, dance, visual arts, theater, music, and author events for the coming weeks.

Film Commentary: Gary Oldman — The Spiritual Death of the Last “Angry Young Man”?

January 1, 2018
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I miss the precocious, mischievous, darkly cunning, and troubled characters Gary Oldman once portrayed so beautifully.

Favorite Dance Performances of 2017

December 30, 2017
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A quartet of critics serve up the highlights in dance for 2017.

Feature: 2017 Best Of/Worst Of — And a Look Ahead

December 30, 2017
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The increasingly baffling and ever-arcane world of the visual arts continues to offer considerable potential.

Theater Feature: Best Stage Productions of 2017

December 28, 2017
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Our theater critics pick some of the outstanding productions of the year.

Film Review: “Call Me By Your Name” — Desire Under the Apricot Trees

December 27, 2017
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I can unequivocally say this is the most masterful and beautiful film of the year.

Book Review: “Manhattan Beach” — Taking a Deep Dive

December 26, 2017
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Manhattan Beach feels acutely relevant despite being set in the past.

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