Arts Fuse Editor
As Zeitgeist Stage Company closes its doors, it’s hard not to wonder, with some bitterness, what our plucky local small-scale theater troupes would be able to accomplish if they had the resources they need.
This memoir offers an invaluable, broad look at intellectual Russia before and after the revolutions of 1917.
Beetlejuice may not be the blockbuster its creators are hoping for, but it is occasionally humorous and rarely dull.
Award-winning author and critic Fiona MacCarthy is out to change wrong-headed perceptions of Walter Gropius in her biography. And she succeeds.
Desires will surely solidify ORA Singers’ reputation as a first-class choral ensemble.
Amid the continual flood of new jazz releases, this anniversary bash is one to be savored.
As always, IFFBoston’s Executive Director Brian Tamm and Program Director Nancy Campbell have curated a stellar lineup of films that promises to represent the very best of current American and international cinema.
“The half-hearted support of jazz by American broadcast TV, be it commercial or PBS or cable, has been an insult not only to the artists, but to the public as well.”
The Arts Fuse welcomes a new character to its extended universe. Deanna Marie Costa, an editor and critic at the magazine.
Luckily for us, after playing the occasional electrifying concert date over the years, Nervous Eaters is reuniting once again.
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