Arts Fuse Editor
These exhibitions present two very different ways of engaging with gender, both raising the question of gaze.
James Graham’s new play almost evokes sympathy for the devil. Almost.
Two autobiographies by women who had some experience in legitimate theater, but they each gave their strongest allegiance to dance, specifically one choreographer.
Once much-performed, then banished from the stage by the Nazis, The Miracle of Heliane, now available in a fine new recording, is perhaps the best opera by the man who would become one of Hollywood’s leading composers.
As Zeitgeist Stage Company closes its doors, it’s hard not to wonder, with some bitterness, what our plucky local small-scale theater troupes would be able to accomplish if they had the resources they need.
This memoir offers an invaluable, broad look at intellectual Russia before and after the revolutions of 1917.
Beetlejuice may not be the blockbuster its creators are hoping for, but it is occasionally humorous and rarely dull.
Award-winning author and critic Fiona MacCarthy is out to change wrong-headed perceptions of Walter Gropius in her biography. And she succeeds.
Desires will surely solidify ORA Singers’ reputation as a first-class choral ensemble.
Amid the continual flood of new jazz releases, this anniversary bash is one to be savored.
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