Arts Fuse Editor
A fresh, bracing take on Beethoven as a dramatist, Tesla Quartet serves up refreshingly direct and emotionally-complex performances of Mozart, and flautist Emmanuel Pahud has crafted an ear-catching, unpredictable program.
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In this valuable call-to-action, Roger Hallam says we have to recognize that climate change is an emergency and rebel against our extinction.
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Billy Strings is deservedly catching fire with a unique blend of mind-snapping talent as a guitarist, deep appreciation for tradition, appetite for improvisation and experimentation, and ever-improving songwriting.
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Bombshell takes a stand, looking to portray its besieged women as complex, flawed human beings who also happen to be the victims of sexual harassment.
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Dave Malloy’s musical version of Moby-Dick shows promise, but he needs to trim plenty of blubber.
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Director Greta Gerwig’s brilliant cast succeed in making Little Women a feel-good escapist movie with brains.
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Our critics sound off on some of their most striking visual art experiences this year.
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Klotsvog ends up being a fascinating literary failure. Good for academics, but bad for readers.
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Queen Mab’s premiere production is an energetic, 80-minute, one-man performance of Shakespeare’s A Midsummer Night’s Dream.
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Music and Concert Favorites 2019
Our expert music critics serve up their usual highly eclectic round-up of the year’s most memorable.
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