Arts Fuse Editor
In its 4th season, Insecure remains a hilarious look at the lives of black millennials growing up in Los Angeles.
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This is hard-hitting neo-noir parable whose dark humor delights as it strikes at the corrupt heart of business as usual in Argentina.
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One thing that gives Marc Maron’s comedy a certain punch is that he is an equal-opportunity crank.
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There’s a story yet to be written about art dumping; theater and dance dumping; even film and TV dumping now that live performance and production of all kinds has shut down.
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Killing Eve is as exciting and compelling as ever. But its narrative structure is becoming somewhat fractured and increasingly odd.
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I’m curious to see what happens next. I’ll keep writing plays, but I might need to hone my skills as a handyman just in case this whole theater thing doesn’t pan out.
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Darkness is pervasive in this Cowboy Junkies album, but it is not all-encompassing.
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Marc Petitjean seamlessly moves from describing intimate scenes to discussing Frida Kahlo’s art and its significance.
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This is a love letter, told honestly and poignantly, to the Vietnamese people, an homage to their dedication to remembrance, during and after a painful time.
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Visual Arts Commentary: The Shock of the Cute — Too Much of a Cute Thing?
What gives with the overbearing presence of cuteness throughout the world of contemporary visual art?
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