Arts Fuse Editor
One of the pleasures of The Glass Hotel is how easily digestible it is; the prose rolls off the page, rewarding the reader’s close attention with subtle insights into character and motivation.
The master alto saxophonist Richie Cole died on May 2 at age 72. The cause of death has not been announced, so it’s unknown for now if it was related to COVID-19.
Play The Way You Feel is the best volume around on the uneasy relationship between film and jazz.
What do graphic novels about architecture bring to our understanding of the urban experience? They suggest that buildings can be like our memories — they hide as much as they show.
Deerskin is a mordantly funny commentary on the fragility of identity, livelihood, and masculinity.
Never Have I Ever suffers from an identity crisis: the show doesn’t want to face that it is just another Netflix teen comedy, albeit with its share of engaging moments.
Like Nina Antonia and Robert Clark, Mark Doty deftly interweaves personal narrative with his literary concerns.
It amazed me that Lee Konitz in his nineties could still find his way through a maze of changes, chorus after chorus, and at the same time be capable of weaving a beautiful, unscripted melody while producing a sound so wide, one could crawl into it.
An admiration for certain defeat permeates much of The Mountain Goats’ album Songs for Pierre Chuvin.
Visual Arts Feature: Artists Respond to the COVID-19 Crisis in Prisons
Much of what artists and educators who enter prisons typically aim to do is help foster human connections with those on the inside.
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