Arts Fuse Editor
In the age of COVID-19, Arts Fuse critics have come up with a guide to film, dance, visual art, theater, and music — mostly available by streaming — for the coming weeks. More offerings will be added as they come in.
The Andromeda Strain’s anti-intellectualism is rooted in Cold War paranoia: a distrust of science, of academia, and of the press.
Egon Wellesz’s Weimar era critique of the cruelty of nations that are victorious in war still rings hauntingly true.
Director Ben Wheatley has a knack for creating characters whose anti-social behavior is shocking.
The documentary slate at this year’s Independent Film Festival Boston’s all-virtual spring festival puts non-fiction film front and center.
About Endlessness’s deadpan combination of sadness and rage feels complete, as if the master dropped the mic before leaving the building after the final edit.
“The suburbs of Los Angeles are so often neglected in literature and film because they are so seemingly impervious to adoration.”
Chronicling Stankonia is an engaging read, one that adroitly balances rigorous academic research with a deeply personal narrative about Black life and art in the post-Civil Rights Era in the South.
“I don’t work the system anymore, except as a last resort: I aim instead to bypass it. The better I have gotten at circumventing gatekeepers, the more successful my writing career has been.”
Theater Commentary: Who’s Agitating for a “Green New Theatre”?
The arrival of Groundwater Arts suggests the birth of efforts to organize artists and others to press cultural organizations to take meaningful action on the climate crisis.
Read More about Theater Commentary: Who’s Agitating for a “Green New Theatre”?