Debra Cash
Choreographer Heather Stewart’s use of the stage space, while not “immersive” by the standard art world definition, is inventive and meaningful.
Read More
This simultaneously entertaining and provocative show contests the premise that people today are invariably more sophisticated than those who lived in spiritualism’s heyday.
Read More
This, my friends, is what a capital D Diva looks like.
Read More
“The only way to keep the music alive is to view it as a living thing and support artists who approach it that way, rather than as a museum piece.”
Read More
Arlekin Players Theatre’s “The Dybbuk” may not convince you of the supernatural, but director Igor Golyak is a magician.
Read More
You either go full Hollywood CGI, or you pare it down to the poetry of it.
Read More
This small volume is apt to become a classic that is passed hand to hand.
Read More
In “BLACK HOLE,” the TRIBE trio moves as if learning for the first time how their skeletons and muscles are constrained and empowered, perplexed and bedazzled, by gravity’s incontrovertible power.
Read More
Too, too soon, the images in MOMIX’s “Alice” alternate between unpleasant and stale.
Read More
As the first draft of documenting choreographer Alexei Ratmansky’s career, this book will be invaluable, but by the end of it, the story may look somewhat different.
Read More
Arts Commentary: From the Editor’s Desk — By Popular Demand, 2026