Debra Cash
Is it possible to reclaim a marginalized legacy? And how do you step up to take a seat at the table when your history has been neglected and forgotten?
Yiddish writer Celia Dropkin wrote not only of romantic love – a topic deemed quite suitable to women writers – but also of lust, anger, abasement, and violence.
When the performers finally left the platform, breathing hard, crawling towards us and into the audience, I realized I was seeing something new.
Choreographer Heather Stewart’s use of the stage space, while not “immersive” by the standard art world definition, is inventive and meaningful.
This simultaneously entertaining and provocative show contests the premise that people today are invariably more sophisticated than those who lived in spiritualism’s heyday.
This, my friends, is what a capital D Diva looks like.
“The only way to keep the music alive is to view it as a living thing and support artists who approach it that way, rather than as a museum piece.”
Arlekin Players Theatre’s “The Dybbuk” may not convince you of the supernatural, but director Igor Golyak is a magician.
You either go full Hollywood CGI, or you pare it down to the poetry of it.
This small volume is apt to become a classic that is passed hand to hand.
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