Debra Cash
The Fuse doesn’t usually publicize auditions, but it’s news that Debbie Allen is swinging through Boston this week seeking young dancers between the ages of seven and 22.
Read MoreFanny Lou Hamer’s life and the political struggle, which gave us the Voting Rights Act, is the basis of Mary Watkins’ two-act opera.
Read MoreIt was not the first time the Sarajevo Haggadah had benefited from Muslim protection: during the Nazi occupation, another librarian had spirited the Hebrew manuscript out of danger and hidden it in a local mosque.
Read MoreBoston Ballet is showcasing a number of its ballerinas in the title role of Cinderella.
Read MoreIf calculating pi to a far-off-integer isn’t for you, TAO Dance Theater’s baffling kinetic exploits may seem less like an incredible journey than a trudge to a dead end.
Read MoreI get why Compagnie Käfig’s Correria/Agwa has been booked onto stages in 15 countries and counting. But the troupe’s polished athleticism comes at the sacrifice of hip hop dance’s precious anarchy.
Read MoreDancer Wendy Whelan will not be appearing under the auspices of the Celebrity Series of Boston as planned.
Read MoreArts alert for readers in the Pioneer Valley.
Read MoreNo amount of postmodern theory can paper over the fact that a half-baked cake, even one made with tasty ingredients, fails to satisfy.
Read MoreWith a Stephen Sondheim show, it’s all in the casting, and Emmanuel Music’s casting was a mixed bag.
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Arts Commentary: Rich in Creativity — But Nothing Else