Debra Cash
Comic genres don’t die; they just become niche markets.
British Pathe’s 85,000 (some sites say 90,000, but who’s counting?) newsreels are now online.
“Falling Out of Time” is a book that gives all the truth that Israeli writer David Grossman can deliver, and far more intimacy than we strangers who are his readers have earned.
Israel’s Nalaga’at Theater Deaf-Blind Acting Ensemble, whose name translates to “Do Touch,” is on a U.S. tour that included a side visit to the White House.
The Fuse doesn’t usually publicize auditions, but it’s news that Debbie Allen is swinging through Boston this week seeking young dancers between the ages of seven and 22.
Fanny Lou Hamer’s life and the political struggle, which gave us the Voting Rights Act, is the basis of Mary Watkins’ two-act opera.
It was not the first time the Sarajevo Haggadah had benefited from Muslim protection: during the Nazi occupation, another librarian had spirited the Hebrew manuscript out of danger and hidden it in a local mosque.
Boston Ballet is showcasing a number of its ballerinas in the title role of Cinderella.
If calculating pi to a far-off-integer isn’t for you, TAO Dance Theater’s baffling kinetic exploits may seem less like an incredible journey than a trudge to a dead end.
I get why Compagnie Käfig’s Correria/Agwa has been booked onto stages in 15 countries and counting. But the troupe’s polished athleticism comes at the sacrifice of hip hop dance’s precious anarchy.
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