Bill Marx

Arts Interview: Cutting Across Mathematics and the Arts — Talking With The Man Who Knows Galileo’s Muse

December 1, 2011
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We need the humanities because we need imagination that works outside the narrow channels where the sciences succeed.

Fuse Book Review: A Couple of Nihilists Ready for a Piece of the Action

November 26, 2011
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Both of these novels about social corruption should be in every Occupy Wall Street library in the country: inequality is not a matter of fate but the result of an exhausted acquiescence to subterfuge.

Arts Commentary: The End (?) of Ignoring the Death of Arts Criticism

November 14, 2011
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Essentially, Kaiser’s plaint about the vanishing critic is useless because he, and so many other cultural kingpins worried about the end of professional criticism, offer no solutions.

Arts Commentary: Not Just Shakespeare — “Anonymous” Wrongs Ben Jonson As Well

November 8, 2011
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The awkward logic of “Anonymous” turns the initially stalwart Ben Jonson into a ludicrous double-dealer, who advances his supreme tribute (‘Soul of the age!’) to a man he knows to have been a fraud and imposter.

Caldwell Titcomb, Theater and Music Critic — Words of Remembrance

October 30, 2011
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There was a memorial service for Caldwell Titcomb, invaluable friend of the arts in New England, yesterday in the Memorial Church at Harvard University. He passed away on June 12th of leukemia at the age of 84. The ceremony was moving and heartfelt, with memories shared about Caldwell as a friend, composer, critic, grammarian, teacher, brother, long-time President of the Elliot Norton Awards, and researcher in African-American history.

Theater Review: Of Race and Real Estate — Clybourne Park

October 25, 2011
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Given his full-throttle depiction of the myopia of middle class mores, Bruce Norris is more in the flamboyant satiric line of Sinclair Lewis, who also trained his sharp ear and eye on the Midwest, the American heartland, jabbing away at American delusions of community, status, and self-satisfaction.

Theater Feature: Enter Israeli Stage

October 20, 2011
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Exciting things are happening in Israeli writing, and it is garnering considerable attention in Europe. But what about theater in Israel? Israeli Stage offers the curious a chance to see what is happening.

Theater Review: The Portrait of a 17th Century Artist as a Young Woman

October 19, 2011
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Liz Duffy Adams’ affectionate look at Aphra Behn’s rise to public prominence, despite prejudice against her gender, comes off as a sort of farcical love letter to an ink-stained ancestor that at times suggests a Shavian talk fest in a minor key.

Literature Commentary: The New Yorker Misses an H.G. Wells Anniversary Worth Celebrating

October 16, 2011
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“For an imaginative boy, the first experience of writing is like a tiger’s first taste of blood.’ — H.G. Wells, “The New Machiavelli,” 1911.

Theater Review: A Rousing Night of Burlesque at The Wrathskellar

October 9, 2011
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Given the power, glory, and fun the Boston Babydolls supply with their burlesque routines — pasties and nipple tassels whirl with furious aplomb — the lack of spooky payoff in “The Wrathskellar” amounts to a minor drawback.

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