Bill Marx
The Titanic Theatre Company production struggles with Christopher Durang’s superficial satire and manages to squeeze some laughs out of it.
Read MoreSurely the lesson of “Pygmalion” is that Eliza should never look back. She doesn’t need to.
Read More“The Missing Year of Juan Salvatierra” is a compelling celebration of art as a force of nature, a fragile yet indomitable demand for possibility despite the constraints of a torpid existence.
Read MoreEfforts to ensure that arts education is a significant part of our schools is not the kind of glamorous activity that prys dollars out of the wallets of donors or drums up tourism.
Read MoreThe Commonwealth Shakespeare Company’s production of “The Two Gentlemen of Verona” is spunky and engaging — but the play is spun in one direction, away from its weird edginess.
Read MoreNabokov will become much more seriously playful about extinction and the nature of love in the increasingly complex fables to come. “The Tragedy of Mr. Morn” is his initial earnest fairy tale.
Read MoreIt turns out that budding arts writers are anxious to learn how to master the demanding nuts and bolts of reviewing, especially given how few examples of first-rate criticism can be found in the increasingly all-thumbs mainstream media.
Read MoreCome celebrate the music of Sun Ra: legendary jazz composer, bandleader, piano and synthesizer player, poet, theatrical ringmaster, and lyricist of the extra terrestrial.
Read MoreMayer’s report deals with David Koch throwing his weight around at WNET and PBS. Unfortunately, she does not talk about whether Koch’s powerful presence has influenced WGBH.
Read More
Fuse Commentary: The Boston Globe Disses The Lowell Folk Festival
In 2011, the Boston Globe characterized the Lowell Folk Festival as “a celebration of diversity.” This year, the floundering newspaper isn’t interested in celebrating anything but itself.
Read More