Bill Marx

Stage Interview: Robert Scanlan on Samuel Beckett’s Women

September 9, 2015
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“When we turn so crass and commercial that we have lost our way, Samuel Beckett will be rediscovered as the way back.”

Theater Interview: Davis Robinson on “Ensemble Devising” — Artistic “Rapid-Response” Teams

August 13, 2015
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“For artists involved in doing ensemble devising, there is tremendous value in the creative challenge on every level.”

Theater Review: The CSC’s “King Lear” — The Deed Dutifully Done

August 2, 2015
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For all of its sound and fury and smoke, the CSC’s version of King Lear is solid rather than surprising or exciting.

Theater Review: “Kinship” at Williamstown Theatre Festival– No Sex in the City

July 22, 2015
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In Kinship, dramatist Carey Perloff hasn’t found a language that conveys irrational longing.

Fuse Commentary: Arts Criticism Isn’t Free — Support The Arts Fuse!

July 8, 2015
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Those who care about the future of American arts and culture should financially support this magazine and other valiant efforts to articulate the significance of the arts.

Fuse Theater Review: “after all the terrible things I do” — Taking a Safe Stand

June 13, 2015
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Scripts of this well-intentioned variety are big on exalting forgiveness and empathy – calls for justice are rare for obvious reasons.

Fuse Theater Review: “The Last Two People on Earth” — Singin’ in the Tsunami

May 20, 2015
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An amiable musical revue about two guys who kick up their heels after global warming finally boils over.

Fuse News: 2015 Elliot Norton Awards Announced

May 12, 2015
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Congratulations to the nominees and the awardees.

Fuse Commentary: Five Minutes With NEA Chairman Jane Chu

May 6, 2015
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God speed Chairman Chu on her mission to make the fine arts less marginalized in a determinedly bottom line culture, obsessed with the pragmatic rather than the imaginative.

Theater Review: Wham “(Betty) Bam” Thank You Mam

April 26, 2015
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Had Daniil Kharms’ texts been available at the high tide of the Theater of the Absurd, his plays would be performed alongside those of Samuel Beckett and Eugene Ionesco.

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