Betsy Sherman
Biographer Robert S. Bader is an engaging writer and meticulous researcher. And handy here, he’s able to be tactful, but not forgiving, when describing lousy human behavior.
If “La Chimera” is a bit harder to penetrate than the director-writer’s previous works, it boasts some captivating passages and raises pertinent questions about art, history, globalism, and national identity.
In the spirit of revisiting this unsung indie classic, here’s an interview the critic did with director Nancy Savoca in 1993, when Household Saints was part of the Boston Film Festival.
Writer-director Sean Durkin’s engrossing biopic goes a far piece toward showing the dark side of this tale of patriarchal authority and its abuse under the cover of an all-American, clean-living, unassailable family of heroes.
Cinephiles revere a group of movies, known as the Ranown cycle, that starred Randolph Scott and were cannily directed by Budd Boetticher.
This not-quite-full retrospective contains three masterpieces of Iranian cinema: Close-Up, Taste of Cherry and The Wind Will Carry Us.
A rundown of three narrative programs and one documentary program. We just might see these directors’ names on future IFFBoston features.
Whereas Hong Sangsoo’s filmography abounds with coming-of-age stories featuring young characters embarking on their romantic/sexual and professional lives, two of these three films spotlight middle-aged characters, with one specifically dealing with disease and mortality.
Director Alice Diop’s films explore, with great sensitivity and little sentimentality, the generational effects of colonialism and racism.
A critical look at 2023 Oscar Nominated Short Films: Documentary showcase..
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