Wes Anderson

Film Review: “The Phoenician Scheme” — Visions from a Mad Magician’s Toy Box

June 8, 2025
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Bottom line: for all of “The Phoenician Scheme”‘s visual glories, the whimsical portrait of a shady arms dealer who becomes a mensch in the bosom of family rings hollow — especially at the present moment.

Television Review: “The Wonderful Story of Henry Sugar” — The Virtues of Redemption

October 1, 2023
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Less is more in Wes Anderson’s adaptation of Roald Dahl’s “The Wonderful Story of Henry Sugar”.

Film Review: “Asteroid City” — Reality Is Beside the Point

June 19, 2023
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Asteroid City is hard to pin down, largely because it holds its ideas about nostalgia and grief at arm’s length.

Film Review: “The French Dispatch” — A Fantastical Magazine

October 23, 2021
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Fans will be pleased that time around director Wes Anderson has shot off everything in his stylistic quiver.

Film Commentary: Wes Anderson, Stefan Zweig, and Discovering the Value of “The World of Yesterday”

April 10, 2014
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Perhaps a movie such as “The Grand Budapest Hotel, which is much more than a zany comedy, can lead us back, as director Wes Anderson may have intended, to the fabulous writing of Stefan Zweig.

Film Review: The Grand Budapest Hotel — A Deliriously Eccentric Adventure Story

March 7, 2014
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Director Wes Anderson’s “The Grand Budapest Hotel” presents a frenzied feast of lavish and preposterous set pieces, performances, and tall tales.

Movie Review: Through the Eyes of Children

August 7, 2012
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Two superb new films, “Moonrise Kingdom” and “Beasts of the Southern Wild,” revolve around children and the power of love.

Film Review: ‘Greenberg’ and the Half-Cooked

March 27, 2010
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Despite some poignant moments, “Greenberg” ends up as a half-cooked film about half-cooked people. Reviewed By Justin Marble In perhaps the most revealing scene in Noah Baumbach’s latest film, “Greenberg,” Ben Stiller’s title character stands in the middle of a party, alone, as the director’s camera slowly moves in on him from above. The partygoers…

Film Commentary: The Redemption of Wes Anderson

January 16, 2010
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It’s easy, and popular, to write director Wes Anderson off as a hipster who offers nothing beyond quirk and the occasional funny line. But his films are really American versions of the French New Wave. by Justin Marble “He redeemed himself.” “Redemption? Sure. But in the end, he’s just another dead rat in a garbage…

Coming Attractions in Film: December 2009

December 2, 2009
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By Justin Marble Various Films at Stuart Street Playhouse This isn’t so much a ringing endorsement of the current offerings, the biopic Coco Before Chanel or the British comedy Pirate Radio, as much as it is a plug for the brand-new Stuart Street Playhouse. Located in the heart of the city, the fantastic new venue…

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