Month: April 2010
“Musicians take all the liberties they can.” — Ludwig Von Beethoven Opus by Michael Hollinger. Directed by Jim Petosa. Staged by the New Repertory Theatre at the Arsenal Center for the Arts, Watertown, MA, through April 17. Reviewed by Bill Marx In Opus, dramatist Michael Hollinger belies Beethoven’s frustrated observation about the free-wheeling nature of…
Read MoreThere is now an eighth Judicial Review, with the panel deliberating on the Boston University College of Fine Arts production of the 1990 Stephen Sondheim/John Weidman musical “Assassins,” which looks at the lives and sensibilities of men and women who attempted (successfully or otherwise) to kill the President of the United States. Below: background on…
Read MoreWhat is the food that Luis Melendez paints? Is it food? More than food? Less than perfect food? Food stand-ins for something else? What is this stuff called “every species of food produced by the Spanish climate”? Is it about the food or something beyond, beyond the canvas? by Sally Levitt Steinberg What fruits! What…
Read MoreReviewed By Caldwell Titcomb The noted pianist Ursula Oppens is no stranger to the standard repertory, but she has for decades been an ardent champion of new music for her instrument. Indeed, she has commissioned and premiered works by 15 or 20 composers. In Harvard’s Blodgett Distinguished Artists Series, she gave an April 1 recital…
Read MoreBy Justin Marble April 4–5, Kurosawa at the Brattle: Every theater in town is screening Kurosawa at some point this month, but my recommendation is for the Brattle on the 4th and 5th for one reason: “Red Beard.” Most everybody has at least heard of Kurosawa films like “Yojimbo,” “Throne of Blood,” “Kagemusha,” and “Ran,”…
Read More- « Previous
- 1
- 2
Jazz Perspective: Zev Feldman – A Sherlock of a Producer with an Impressive Portfolio