Iris Fanger
The irony implied by Junk after the curtain goes down is the realization that white collar crime does pay.
Read MoreTwo works by one of the most-in-demand choreographers of our time received powerhouse performances from the New York City Ballet.
Read MoreSweat and Indecent serve as forceful reminders that art matters — as if proof was needed.
Read MoreFew companies can do pageantry quite like ABT, buoyed by its vast resources as well as on this occasion the company’s desire to celebrate its 75th anniversary with panache.
Read MoreToday’s Broadway is at its best presenting blockbuster spectacles like Wolf Hall and An American in Paris.
Read MoreDon’t miss the “joyous shout and ringing cheer” of this delightfully boisterous version of The Mikado.
Read MoreBrooke Adams portrays Winnie as the ultimate smiley face; her husband, Tony Shalhoub, is little more than another prop weathering her on-going babble.
Read MoreAn evening with Pilobolus is among the most viewer-friendly of dance experiences.
Read MoreIncomparable opera diva Renée Fleming makes her debut as a stage actress — playing an impossible opera diva — in playwright Joe DiPietro’s sliver of a comedy Living on Love.
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