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Concert Review: moe. Gets Dazed and Confused for Halloween at the Wilbur

November 3, 2026
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The jam-band veterans mixed ’70s soundtrack classics with sprawling originals, movie-inspired costumes and a giant smoking bong at their Boston Halloween bash.

Classical Album Review: Pianist Igor Levit’s “Resistance” Speaks to the Present

November 3, 2026
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Schoenberg’s “Ode to Napoleon” and Liszt’s transcription of Beethoven’s “Eroica” make a forceful pairing in the pianist’s fierce, illuminating new album.

Book Review: “The Pope Against Nuremberg” — A Sanctuary from Justice

November 3, 2026
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In “The Pope Against Nuremberg,: historian Gerald J. Steinacher examines how Catholic Church officials shielded war criminals—and placed institutional interests above moral accountability.

Book Review: Jean-Philippe Toussaint’s “The Chessboard” — The Pieces Don’t Quite Fit

November 3, 2026
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By David Mehegan This minimal memoir reminds me of a backyard clothesline, festooned with socks, shirts, pants, dishtowels, suspenders, underwear, bras, new things and old, all in various colors and shapes, flapping briskly in the wind. The Chessboard by Jean-Philippe Toussaint. Translated from the French by Ruth Diver. Other Press. 191 pp. Paper. $16.99. Jean-Philippe…

Film Review: Faustian Bargains and Family Betrayals in “Fatherland”

November 2, 2026
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Director Paweł Pawlikowski’s austere account of the writer Thomas Mann’s 1949 homecoming puts art, political idealism, and family loyalty on trial.

Film Review: “The Only Living Pickpocket in New York” — A Love Letter to a City That Won’t Love You Back

November 2, 2026
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Noah Segan’s melancholy crime drama pairs a quietly compelling John Turturro with richly textured New York locations, tracing an old-school thief’s struggle to survive in a city moving on without him.

Film Review: “Wicker” — What Women Want

November 2, 2026
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Olivia Colman and Alexander Skarsgård are an odd but irresistible couple in a darkly funny fable about marriage, passion, and the scandal of a husband devoted to his wife.

Classical Album Review: The NSO Makes a Stirring Case for William Grant Still

November 2, 2026
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Gianandrea Noseda leads sumptuous, finely wrought accounts of the composer’s Second and Fourth Symphonies, revealing music that deserves a wider hearing.

November Short Fuses — Materia Critica

November 1, 2026
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Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.

Classical Album Review: Matthew Aucoin’s “Music for New Bodies” Poses Big Questions, with Uneven Answers

November 1, 2026
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The composer leads a virtuosic debut recording of his Jorie Graham–inspired oratorio, whose striking invention is sometimes blunted by relentless intensity

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