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With Matthew Hagle at the piano and a storied 1742 Guarneri in hand, violinist Pine found both familial warmth and dramatic urgency in three Brahms sonatas.
The former Heartbreaker brings a deepening songbook, a crack band, and new material from “Mission of Mercy” to Beverly’s Cabot.
At TD Garden, Geddy Lee and Alex Lifeson honored Neil Peart’s legacy without trying to replace him, as Anika Nilles powered a revitalized, emotionally resonant version of Rush through two distinct marathon sets.
Claudia Acuña reconnects Chilean roots with American jazz on “Ave de Luz,” while Jorge Drexler explores love, technology, politics, and dance on “Taracá.”
A lawyer-poet’s arguments against war, racism, plutocracy, and despair are sharpened by moments of sensual attention and stubborn devotion.
In films about Franco’s disappeared, AI companions, Iranian exile, and an Indian South African family’s buried history, the Camden International Film Festival finds digital—and analog—means of restoring bonds fractured by violence, loss, and time.
By Dan Kennedy Social change and corporate greed are destroying newspapers in small-town America. What happens to the people left behind? Deserted: Life Without Local News in Rural America by Nick Mathews. University of Illinois Press, 168 pages, $110 (cloth), $24.95 (paper) Local news is in crisis everywhere, but the challenge is more daunting in…
Claire Chase and her collaborators make a persuasive, vivifying case for Terry Riley’s hourlong score of freewheeling fantasy, grief, birdsong, and release.
The Cape Ann Museum’s revelatory exhibition shows how Milton Avery, Adolph Gottlieb, and Mark Rothko turned the Gloucester shore into a language of abstraction.
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