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Film Review: “Sasquatch Sunset” — Creatures of Nature, Walking Proud and Standing Tall

April 19, 2024
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“Sasquatch Sunset”‘s directors claim they were interested in respecting the universal connection between man and nature, albeit with plenty of humor.

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Jazz Album Review: Owen Broder’s “Hodges: Front and Center, Vol. 2” — A Vibrant Homage

April 19, 2024
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Saxophonist Owen Broder’s efforts to keep Johnny Hodges’ music alive is more than just mere imitation. It is a fitting tribute to a musician who deserves to be listened to more.

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Children’s Book Reviews: Gardens Galore!

April 18, 2024
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Get ready for spring with these children’s picture books.

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Weekly Feature: Poetry at The Arts Fuse

April 18, 2024
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The week’s poem: Jennifer Barber’s “Below”

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Album Review: Cindy Lee’s “Diamond Jubilee” — A Hidden Jewel

April 17, 2024
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Cindy Lee’s “Diamond Jubilee” is nothing if not immersed in its own inner world. That’s part of its complexity, its strength, and its beauty.

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Book Review: “Witness: An Insider’s Narrative of the Carceral State” — A Voice Worth Heeding

April 17, 2024
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Lyle C. May reminds us that large numbers of men sentenced to death have been exonerated, and that at every level the apparatus of the carceral state is erratic at best and dramatically biased against minorities and the poor.

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Book Review: “Hollywood’s Imperial Wars” — Darkness Visible

April 16, 2024
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“Hollywood’s Imperial Wars” is at its best as a bold and informative survey of the movies that the studios felt it was “credibly possible” for them to make after Vietnam.

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Latin Jazz Album Review: The Blustery, Bellowing, and Bluesy Sound of Dave Schumacher and Cubeye

April 16, 2024
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This is my kind of music, a tight latin jazz outfit that embraces great horn charts and explosive percussion.

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Theatre Preview: A Chat with Basil Twist — Poetry Wins in “Book of Mountains and Seas”

April 16, 2024
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You either go full Hollywood CGI, or you pare it down to the poetry of it.

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Film Review: “The People’s Joker” — Intellectual Clown Property

April 15, 2024
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Whatever else 2024 has in store for queer filmmakers and audiences, there’s likely to be nothing else that’ll put a smile on your face quite like “The People’s Joker.”

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