Williams College Museum of Art
Are visitors supposed to feel some sort of guilty pleasure if they find Mary Ann Unger’s Across the Bering Strait powerfully mesmeric?
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Strict Beauty: Sol LeWitt Prints is a compelling opportunity for immersion in an important aspect of the artist’s work
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The Ruskinian mantra of “truth to nature” was eventually upended by the development of digital imagery and the agile manipulations of Photoshop.
Read MoreThe strong connections between Andy Warhol’s early drawings and his later Pop-pieces become clear as you walk through the exhibition.
Read MoreAt its best, the playful absurdity of Franz West’s work seduces the viewer.
Read MoreHighlights this month in museums around New England include an exhibition of poetic and playful furniture, photographs and videos that radically rethink how a museum should treat art objects, and a show featuring an African artist who specializes in large, shimmering sculptures composed of recycled liquor bottle tops. By Peter Walsh. The van Otterloo Collection,…
Read MoreAlmost every visit to the WCMA has piqued my interest so strongly that I’ve often gone straight to the internet or library to read more about what I’ve seen. Edward Steichen’s 1914 photograph “Heavy Roses” by Helen Epstein The Williams College Museum of Art, set back from Williamstown’s main drag and almost indistinguishable from other…
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