Are visitors supposed to feel some sort of guilty pleasure if they find Mary Ann Unger’s Across the Bering Strait powerfully mesmeric?
Williams College Museum of Art
Visual Art Review: The Enigma of Sol LeWitt
Strict Beauty: Sol LeWitt Prints is a compelling opportunity for immersion in an important aspect of the artist’s work
Visual Arts Review: “Landmarks” at Williams College Museum of Art — Losing Your Way
The Ruskinian mantra of “truth to nature” was eventually upended by the development of digital imagery and the agile manipulations of Photoshop.
Visual Arts Review: “Andy Warhol by the Book” — How to Read the King of Pop Art
The strong connections between Andy Warhol’s early drawings and his later Pop-pieces become clear as you walk through the exhibition.
Visual Arts Review: Franz West — The Enduring Pleasures of Jaunty Anarchism
At its best, the playful absurdity of Franz West’s work seduces the viewer.
Coming Attractions at Museums: March 2011
Highlights this month in museums around New England include an exhibition of poetic and playful furniture, photographs and videos that radically rethink how a museum should treat art objects, and a show featuring an African artist who specializes in large, shimmering sculptures composed of recycled liquor bottle tops. By Peter Walsh. The van Otterloo Collection, […]
Culture Vulture at the Williams College Museum of Art
Almost every visit to the WCMA has piqued my interest so strongly that I’ve often gone straight to the internet or library to read more about what I’ve seen. Edward Steichen’s 1914 photograph “Heavy Roses” by Helen Epstein The Williams College Museum of Art, set back from Williamstown’s main drag and almost indistinguishable from other […]