Augustin Hadelich has the feeling of this music – its bittersweet melodic phrases, dancing riffs, and restrained passion – well in hand.
Warner Classics
Classical Album Review: Weill & Shostakovich Symphonies
Taken together, this is a release that showcases both the Rotterdam Philharmonic Orchestra and its chief conductor – as well as their repertoire choices – in a brilliant light.
Classical Album Review: Augustin Hadelich plays Bach
The most striking thing about violinist Augustin Hadelich’s approach to these Bach pieces is his emphasis on the music’s dancing line.
Classical CD Reviews: A Banquet of Beethoven from Daniel Lozakovich, Midori, and Gidon Kremer & Friends
Nothing to recommend in Daniel Lozakovich’s take on the Beethoven Violin Concerto, but Midori’s performance of the piece is completely unpretentious, natural, and exciting. Gidon Kremer & friends serve up a terrifically flexible version of Carl Reinecke’s adaptation of Beethoven’s Triple Concerto.
Classical CD Reviews: “Clytemnestra,” Max Reger’s “Der Einsiedler,” and Richard Strauss “Lieder”
Soprano Ruby Hughes’ album is fine, well played, sung, and programmed; baritone Christoph Prégardien delivers vocal works by Mahler, Alexander von Zemlinsky, and Max Reger with warmth; soprano Diana Damrau is in her glorious prime singing the songs of Strauss.
Classical Album Reviews: “Strangers in PARadISe,” Camille Saint-Saëns’ Orchestral Works, and Berlioz’s “Symphonie fantastique”
Diana Tishchenko’s a violinist well worth keeping an eye on; Jun Märkl leads the MSO in brisk, shapely readings of pieces by Saint-Saëns; Françoix-Xavier Roth and Les Siecles come up with some winning Berlioz.
Classical CD Reviews: “La Damnation de Faust,” Villa-Lobos’ Guitar & Harmonica Concertos, and Messiaen Orchestral Works
John Nelson’s La Damnation de Faust is a triumph; you will rarely encounter Villa-Lobos played with greater understanding or in better sound than here; Paavo Järvi and his orchestra’s survey of Messiaen orchestral works early and late is resplendent.
Classical Album Reviews: Beethoven’s “Leonore,” Tesla Quartet’s “Joy & Desolation,” and Emmanuel Pahud’s “Dreamtime”
A fresh, bracing take on Beethoven as a dramatist, Tesla Quartet serves up refreshingly direct and emotionally-complex performances of Mozart, and flautist Emmanuel Pahud has crafted an ear-catching, unpredictable program.
Classical CD Reviews: Michael Tilson Thomas conducts Ives, Conrad Tao’s “American Rage,” and Gianandrea Noseda conducts Shostakovich
Michael Tilson Thomas delivers a towering Ives Fourth; pianist Conrad Tao’s American Rage is hard-edged and defiant, but also poignant and stirring; Gianandrea Noseda’s Shostakovich Fourth is ferocious.
Classical CD Reviews: George Li plays Tchaikovsky, Jansons conducts Shostakovich, and Andris Nelsons conducts BSO premieres
Terrific, fiery playing from George Li, one of the most compelling young pianists on the scene; Mariss Jansons’ recording of Shostakovich’s Tenth trudges from start to finish; irrefutable proof of Andris Nelsons’ excellence as a new-music conductor.