Evaluations of a smorgasbord of Beethoven symphony recordings.
Thomas Ades
Classical CD Reviews: Philip Glass, “Music in Eight Parts,” Thomas Adès, “In Seven Days,” and Anna Clyne, “Dance”
Music in Eight Parts is a welcome and inviting addition to the Philip Glass canon; the Summer of Thomas Adès continues with a stirring new recording of the British composer’s keyboard work; Anna Clyne’s Dance is, without a doubt, one of the finest pieces I’ve heard this year.
Classical CD Reviews: Thomas Adès’ Piano Works, “Ecstatic Science,” and Michael Gordon’s “Anonymous Man”
Thomas Adès is a formidable pianist and his output for his native instrument is fundamentally gripping; yMusic’s new album is a spectacularly-played and -recorded disc; Michael Gordon’s Anonymous Man is undeniably hypnotic but gets stuck in a loop that goes on for a mite too long.
Classical CD Reviews: Thomas Adès’s Orchestral Works, Aaron Copland’s Symphony no. 3, and Leonard Bernstein’s “Songfest”
A terrific release showcases the Boston Symphony Orchestra and composer Thomas Adès. Michael Tilson Thomas and the San Francisco Symphony deliver a radiantly honest recording of Aaron Copland’s Symphony 3.
Classical CD Reviews: Finley & Drake’s “Schwanengesang,” Bostridge & Adès’ “Winterreise,” Meglioranza & Uchida’s “Die schöne Müllerin”
Reviews of three superior vocal recordings, featuring baritone Gerald Finley, tenor Ian Bostridge, and baritone Thomas Meglioranza.
Classical Concert Review: Thomas Adès conducts Liszt, Adès, and Tchaikovsky
The BSO recently announced an extension to artistic partner Thomas Adès’s contract. It is lucky to have him. So are the rest of us.
Concert Review: Thomas Adès conducts Britten, Sibelius, and Adès
These BSO concerts, conducted by Thomas Adès, were the culminating event in his impressive first season.
Fuse Commentary: The Boston Symphony Orchestra’s 2016-17 Season Announcement
On the whole, 2016-17 is shaping up to be one of the liveliest Boston Symphony Orchestra seasons since the first years of James Levine’s tenure.
Opera Review: Thomas Adès’ “Powder Her Face” — Scandalously Relevant
Powder Her Face proved the perfect capstone to Odyssey Opera’s month-long survey of British (mostly comic) opera: biting, darkly humorous, provocative, and relevant.
Concert Review: Thomas Adés Conducts the Boston Symphony Orchestra
The Boston Symphony Orchestra lacks a composer-in-residence. There are many local composers the orchestra might draw on were it to establish such a position, but few have the international reputation of someone like Thomas Adés.