“The End of Oak Street”
David Robert Mitchell’s affectionate, unsettling return to an early-’80s Detroit suburb brings Spielbergian wonder and suburban anxiety into collision—though its dinosaur-driven black comedy eventually wears thin.
BOSTON'S PREMIER ONLINE ARTS MAGAZINE
David Robert Mitchell’s affectionate, unsettling return to an early-’80s Detroit suburb brings Spielbergian wonder and suburban anxiety into collision—though its dinosaur-driven black comedy eventually wears thin.
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