Susan B. Apel
Each month, our arts critics — music, book, theater, dance, and visual arts — fire off a few brief reviews.
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The stories in Citrus exhibit a powerful commonality: these portraits of th3e experiences of black women suggest that, over time, everything and nothing has changed.
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All is Calm juxtaposes the gravity (some might say the idiocy) of war with the simple human gestures that the opposing sides extended to each other during a remarkable cease fire.
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Fresh from choreographing a Tony award-winning revival of Oklahoma!, John Heginbotham presents a world premiere in the Hopkins Center for the Arts at Dartmouth College.
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The women whose voices make up the play’s dialogue are Vermont or New Hampshire residents who have sought medical care at the local VA hospital.
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The performer’s question is direct: has the talented orator anything to say about race in today’s America? The answer is a galvanizing yes.
Read MoreTheater Feature: Northern Stage Announces Winners of $1.25 Million Grant to Support Women in Theater
According to Wellesley Centers for Women study, women hold only 20% of the artistic leadership positions in America’s regional theaters.
Read MoreThis ingenious and expansive multi-media museum production will please fans of Leonard Cohen’s art and those new to his artistry.
Read MoreNo ear is the same — so the sonic experience is different for each listener.
Read MoreThe Hop, as it is known, is more than a collection of performance venues; it plays an active role in developing art and artists.
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