Steven Barkhimer
Theater Review: Regicide in the Chapel — Actors’ Shakespeare Project’s “Richard III”
February 23, 2018
Steven Barkhimer’s mastery of the role’s physicality is the key to his expression of its villainy.
Read More about Theater Review: Regicide in the Chapel — Actors’ Shakespeare Project’s “Richard III”Edward Albee’s bitter masterwork is a tough nut for a company to crack as well as a hard play to watch.
Read More about Theater Review: The Lyric Stage Company is not “Afraid of Virginia Woolf”Lobster Girl presents us with an idyllic vision of Cape Ann, Massachusetts: blue and pink skies, shining water, a picturesque seagull.
Read More about Fuse Theater Review: “Lobster Girl” — A Heartfelt Musical Sea YarnTheater Review: Nora Theatre Company’s “Emilie” — Where History, Feminism, and Science Fiction Meet
September 16, 2014
At its deepest level, Emilie invokes the quest we all undertake to make sense of who we are, where we have come from, and where we are going.
Read More about Theater Review: Nora Theatre Company’s “Emilie” — Where History, Feminism, and Science Fiction MeetDirector Melia Bensussen handles the dialogue skillfully, but she also has an eye for creating vivid stage pictures which reinforce Chekhov’s dramatic themes.
Read More about Theater Review: Actors’ Shakespeare Project Mounts a Memorable “Cherry Orchard”Recent Posts
Film Review: Spider-Man vs. the Emotional Void
July 29, 2026
Book Review: A Haunted House, Some Hard Truths
July 29, 2026
Popular Posts
Categories
Archives
Recent Comments
- Steven Brown on Arts Commentary: The Orchestra Gap — Europe vs. the US
- tim Jackson on Theater Review: Harold Pinter’s “Betrayal” Finds Its Knife-Edge at Gloucester Stage
- Damian on The Annual Francis Davis Jazz Critics Poll at Mid-Year: Warming Up a Riff — How It Happened, and Why It Matters
- Noel on Film Review: “Obsession” — The Horror of Dating for a New Generation
- Michael Hamilton on Book Review: “All the Frequent Troubles of Our Days” — Innovative History of a Female Anti-Nazi Resistance Leader

Arts Commentary: The Orchestra Gap — Europe vs. the US