In the US, Thomas Mann tacitly proposed himself as an almost messianic figure, stately, dramatic, and wrathful at once, striding forth to represent German culture in exile and, increasingly, free Germany itself.
Boston's Online Arts Magazine: Dance, Film, Literature, Music, Theater, and more
In the US, Thomas Mann tacitly proposed himself as an almost messianic figure, stately, dramatic, and wrathful at once, striding forth to represent German culture in exile and, increasingly, free Germany itself.