SpeakEasy Stage Company
SpeakEasy Stage Company has (once again) chosen a bold script for its audience.
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An apocalyptic backdrop gives the play urgency, especially given the current worldwide struggle to contain the Corvid-19 virus, which has already claimed thousands of lives.
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If one of the aims of art is to create a distinctively imaginative world, than Pass Over succeeds in generating a landscape of devastation, a hopeless place filled with gaping wounds and visible scars.
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Admissions is a successful comedy, but not quite the hot, scathing satire of ‘privileged whiteness’ one might gather from the ads. (Or from some of the local reviews.)
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Few of the numbers in Choir Boy fails to astonish.
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As a vision of gay bonding, The View UpStairs exudes a wonderful in-your-face spirit.
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School Girls; Or, The African Mean Girls Play is a serious comedy that takes aim at our provinciality and ignorance.
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Once is a wonderful musical and the Speakeasy Stage production does exquisitely right by its considerable merits.
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Despite its promising premise, Bess Wohl’s script is yet another wan exercise in genial domestic comedy.
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The SpeakEasy Stage production is intimate and emotionally satisfying, highlighting the musical’s strengths — its sharply witty book, memorable songs, and heartbreaking characters.
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Arts Remembrance: In Memoriam — Tom Stoppard