SpeakEasy Stage Company
Admissions is a successful comedy, but not quite the hot, scathing satire of ‘privileged whiteness’ one might gather from the ads. (Or from some of the local reviews.)
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Few of the numbers in Choir Boy fails to astonish.
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As a vision of gay bonding, The View UpStairs exudes a wonderful in-your-face spirit.
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School Girls; Or, The African Mean Girls Play is a serious comedy that takes aim at our provinciality and ignorance.
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Once is a wonderful musical and the Speakeasy Stage production does exquisitely right by its considerable merits.
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Despite its promising premise, Bess Wohl’s script is yet another wan exercise in genial domestic comedy.
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The SpeakEasy Stage production is intimate and emotionally satisfying, highlighting the musical’s strengths — its sharply witty book, memorable songs, and heartbreaking characters.
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Stephen Adly Guirgis has written a fine play about those who would blur their minds rather than admit just how tired they are.
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Despite my complaints, Allegiance is affecting – almost frustratingly so.
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Adrianne Krstansky, a marvelous actress, understandably exhibits signs of the strain of having to carry the entire production on her shoulders.
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