Simon Rattle’
Nazareno is bright, often joyous, and easy on the ears. That ought to count for something.
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Concert halls and opera houses remain closed — but unusual musical experiences await in this era of social isolation.
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The two best things about Simon Rattle’s new recording of Die Walküre are, well, Rattle, himself, and the Bavarian Radio Symphony Orchestra; a strongly played and majestically sung performance of Felix Mendelssohn’s unfairly neglected Die erste Walpurgisnacht.
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