Sci-fi
Was another helping of “The Platform” necessary? Maybe. But only if it was done right — and this is half-baked sci-fi horror.
In “Megalopolis,” we have Francis Ford Coppola, Titan of Cinema, unleashing his undiluted meditation on Roman History, US History, Political Rivalry and Cooperation, Urban Planning, Technology, Love, Marriage, etc.
“Concrete Utopia” echoes “Parasite”’s sharp critique of class exploitation, but it applies a faster pace and more restless energy to its vision of economic meltdown.
Annihilation wants to be a big movie about big ideas — what we get is a flawed impersonation of one.
A terrifically fun — when not spine-tingling — exhibition of horror and sci-fi memorabilia.
Most great novels generate an organic imaginative vision rooted in a sense of inevitability in the way they unfold; Chris Adrian’s THE GREAT NIGHT loses some steam because it fails to coalesce, to concentrate its myriad energies.
“Avatar” is beautiful and otherworldly, but the film is so grounded in down-to-earth concepts that it restricts the viewer’s imagination rather than broadening it. An infinitely better and more complex recent space opera, “Mass Effect 2,” comes in the form of a video game. Is it art? Yes. By Justin Marble Over the centuries the…
Sci-fi master Samuel Delany’s latest novel is a mystery set in the ancient world. Phallos, by Samuel R. Delany. (Bamberger Books) By Vincent Czyz Samuel R. Delany is best known as “l’enfant terrible” who published his first novel at age 20 and then went on to win science fiction’s most prestigious awards — the Nebula…
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