Sam Mendes writes and directs an poignant ode to the escape we find in going to the movies.
George MacKay’s astonishing turn lifts 1917 from pyrotechnical marvel to a shattering emotional experience.
Broadway hasn’t seen a play this harrowing yet eminently enjoyable since August: Osage County.
It should be pointed out that in London it is possible to see more shows in a limited time than one can do in the United States. Why? Because it has long been the sensible practice to stagger weekday matinees. By Caldwell Titcomb Shakespeare first, of course. The British quite rightly never tire of “Hamlet.” […]