Indecent is a play of contrasts: piety versus blasphemy, joy versus heartbreak.
This is a masterful production of Sarah Ruhl’s sparkling update of Commedia dell’arte.
In its program, the A.R.T. links today’s 1% with the French aristocracy, a stab at relevance that does both the snobby thugs of the French Revolution and the super well-off of today a disservice. Say what you will about the 1%, but they aren’t stupid.