Peg Aloi
Jackie suggests that, whatever the White House may see in the future, her magic will still be felt in its opulent halls.
The Love Witch is sure to be one of the year’s most talked about achievements in cinematography.
Pop culture visions of witches and witchcraft are growing, signs that a looming age of superstition and scapegoating is on the way.
Craig Atkinson’s incendiary new documentary provides sobering food for thought on the rise of police brutality and intimidation in America.
Kelly Reichardt’s cinema gives us slow, rich portraits of life’s daily rhythms, its frustrations and unresolved conflicts.
How refreshing it is to see a female protagonist whose strength of will and character is not of the superhuman variety.
A Man Called Ove‘s darkness and humor are balanced artfully, a merit one often sees in Scandinavian film.
These cinematic eyefuls will rouse you from the ennui you’re feeling these days, brought on by too many binge sessions watching Netflix.
This taut, often hilarious, thriller is a stellar example of why Scandinavian cinema continues to impress.
Visual Art Commentary: Silence Is Complicity — Why Museums Must Use Their Voice to Defend Democracy