Peg Aloi

Film Review: “Certain Women” — Mysteries of the Ordinary

October 30, 2016
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Kelly Reichardt’s cinema gives us slow, rich portraits of life’s daily rhythms, its frustrations and unresolved conflicts.

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Film Review: “Aquarius” — A Woman of a Certain Age Kicks Ass

October 27, 2016
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How refreshing it is to see a female protagonist whose strength of will and character is not of the superhuman variety.

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Film Review: “A Man Called Ove” — An Even-Tempered Dramedy of Rebirth

October 16, 2016
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A Man Called Ove‘s darkness and humor are balanced artfully, a merit one often sees in Scandinavian film.

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Film Commentary: The Somerville Theatre’s 70 mm Festival — When the Movies Were Really Big

September 16, 2016
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These cinematic eyefuls will rouse you from the ennui you’re feeling these days, brought on by too many binge sessions watching Netflix.

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Film Review: “In Order of Disappearance” — No Country for Cold Men

September 16, 2016
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This taut, often hilarious, thriller is a stellar example of why Scandinavian cinema continues to impress.

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Fuse Film Review: “The Other Side” — Southern Fried Survival

September 4, 2016
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The Other Side comes off as a reserved, rather poignant glimpse into the lives of people who have very little to hope for.

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Film Review: “Lo and Behold” — Oh, Werner!

August 19, 2016
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We’re very fortunate that this kooky cinematic icon finds the internet interesting; this film is one of the most interesting documentaries of the year so far.

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Film Review: Genius, Undiminished — “Norman Lear: Just Another Version of You”

July 29, 2016
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There has never been a better time in America to reconsider the importance of television’s role in the political discourse.

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Film Review: “Microbe and Gasoline” — Michel Gondry’s Coming of Age Charmer

July 22, 2016
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The performances by Ange Dargent and Théophile Baquet could not be better.

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Film Review: “Zero Days” — Be Afraid. Be Very Afraid.

July 13, 2016
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Alex Gibney’s powerful documentary looks closely at some recent examples of malware designed to wreak havoc worldwide.

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