Peg Aloi
Dominique Abel and Fiona Gordon’s vision tries to elevate the everyday to a realm of magic by way of the absurd.
The Beguiled is a beautifully-shot, atmospheric thriller with a daring take on sexual autonomy and dynamics.
This is a fine exercise in arthouse horror — don’t expect elaborate monsters, an orchestral score, or CGI effects.
Summer of Love’s line-up contains some of that iconic year’s most indelible works of cinema.
A Dark Song’s terror lies in its slow, intense build and its overarching sense of doom.
Margaret Atwood’s novel turns out to have been far more clairvoyant than even she believed it would be.
While calling this Ben Wheatley’s most violent film may be debatable, Free Fire is absolutely the one most riddled with gunshots.
Seeing the rugged minimalism of golf in its infancy was very appealing.
Frantz explores the complicated emotions generated by the aftermath of a catastrophic war.
Film Tribute: George Romero — A Legacy of Blood, Invention, and Survival
Even after death, the human instinct is to kill or be killed.
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