Peg Aloi
Summer of Love’s line-up contains some of that iconic year’s most indelible works of cinema.
A Dark Song’s terror lies in its slow, intense build and its overarching sense of doom.
Margaret Atwood’s novel turns out to have been far more clairvoyant than even she believed it would be.
While calling this Ben Wheatley’s most violent film may be debatable, Free Fire is absolutely the one most riddled with gunshots.
Seeing the rugged minimalism of golf in its infancy was very appealing.
Frantz explores the complicated emotions generated by the aftermath of a catastrophic war.
Horror fans in search of a smarter-than-average thriller that will make their viscera quiver should not miss this one.
The Lure is often violent and disturbing, but its unapologetic strangeness make it one of the most memorable foreign films in recent years.
Toni Erdmann gently but somewhat darkly reminds us that living life in the fast lane means missing out on its slower, humbler pleasures.
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