Peg Aloi
One of the lessons of the Dead of Winter series at the Brattle Theatre:”The occult is one of many tickets to the revolution.”
Did Martin Scorsese want this film about religious faith to reverberate so faintly, to make its point through such awkward stillness?
William Peter Blatty may have created a comparatively small body of work, but he played a major role in the evolution of American horror.
Lion’s heart is an exhilarating sequence where Saroo painstakingly discovers his origins.
The restoration and re-issue of Julie Dash’s masterpiece is a valuable reminder that black female filmmakers are still woefully unsung.
Amazingly, Isabelle Huppert’s career is peaking at an age (63!) when many actresses find themselves struggling to stay employed.
Jackie suggests that, whatever the White House may see in the future, her magic will still be felt in its opulent halls.
The Love Witch is sure to be one of the year’s most talked about achievements in cinematography.
Pop culture visions of witches and witchcraft are growing, signs that a looming age of superstition and scapegoating is on the way.
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