Peg Aloi
Margaret Atwood’s novel turns out to have been far more clairvoyant than even she believed it would be.
While calling this Ben Wheatley’s most violent film may be debatable, Free Fire is absolutely the one most riddled with gunshots.
Seeing the rugged minimalism of golf in its infancy was very appealing.
Frantz explores the complicated emotions generated by the aftermath of a catastrophic war.
Horror fans in search of a smarter-than-average thriller that will make their viscera quiver should not miss this one.
The Lure is often violent and disturbing, but its unapologetic strangeness make it one of the most memorable foreign films in recent years.
Toni Erdmann gently but somewhat darkly reminds us that living life in the fast lane means missing out on its slower, humbler pleasures.
At first,The Autopsy of Jane Doe comes off as a sort of small town crime thriller, but it slowly evolves into what feels like a bonafide horror film.
One of the lessons of the Dead of Winter series at the Brattle Theatre:”The occult is one of many tickets to the revolution.”
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