Paul Ruders

Opera Review: BLO’S “Handmaid’s Tale” — Sublime Dystopia

The perversity of The Handmaid’s Tale oppressive allegory lends itself well to opera, and Boston Lyric Opera makes the most of the material’s emotional heights and depths.

Allen Michie September 12, 2019 at 9:26 am on Jazz CD Review: Miles Davis’ “Rubberband” — Stretch Your EarsMr. Giles, Thanks for your reply. MFs like myself will always be envious of the opportunities you, Mr. Hall, and...
Zane Giles September 11, 2019 at 9:21 pm on Jazz CD Review: Miles Davis’ “Rubberband” — Stretch Your EarsAs one of the producers on Rubberband, I must say I respect your honest review of the project. But in...
Steve Provizer September 11, 2019 at 6:08 pm on Jazz CD Review: Miles Davis’ “Rubberband” — Stretch Your EarsYes, a very different category, as is "In a Silent Way."
Allen Michie September 11, 2019 at 5:36 pm on Jazz CD Review: Miles Davis’ “Rubberband” — Stretch Your EarsYou're right, thanks! Actually the first electric Miles is on "Miles in the Sky," recorded in 1968. Since Herbie Hancock...
Steve Provizer September 11, 2019 at 10:21 am on Jazz CD Review: Miles Davis’ “Rubberband” — Stretch Your EarsThanks for your thoughtful, thorough, and well-considered review. One small point: Jack Johnson was recorded in 1970 and released in...

Paul Ruders

Opera Review: BLO’S “Handmaid’s Tale” — Sublime Dystopia

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"Use the point of your pen, not the feather." - Jonathan Swift