Olivia Wilde
At this year’s festival, films by Greg Araki and others explore erotic power, artistic identity, and spiritual unease—alongside a quietly inspiring portrait of painter Anne Packard.
As a satire on the power of male-dominated corporations to manufacture consent and conformity, Don’t Worry Darling is devilishly amusing. Though credibility is not its strong suit.
Arts Commentary: The Kennedy Center and the Boston Symphony Orchestra — A Tale of Two Crises