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Neil-Labute

Fuse Theater Review: The Apple Pie Beauty of “reasons to be pretty”

Now that dramatist Neil LaBute’s scripts are being produced on Broadway he has fanned the earlier whiffs of amorality in his work away. The obscene language and provocative hooks remain, but those are not a bar to popular success (think of David Mamet).

By: Bill Marx Filed Under: Theater Tagged: American, contemporary, drama, Neil-Labute, Reasons to Be Pretty, SpeakEasy Stage Company

Coming Attractions in Theater: March 2011

An exciting month, and that isn’t hyperbole. A couple of North American premieres: a futuristic opera from MIT’s Tod Machover and poet Robert Pinsky and a drama tweaking The New Testament from Howard Brenton. Toss in iconic director Peter Brook staging Beckett, F. Murray Abraham as Shylock, and Car Talk:The Musical and you are talking about taking out the smelling salts

By: Bill Marx Filed Under: Coming Attractions, Opera, Theater Tagged: American Repertory Theater, ArtsEmerson, Bear Patrol, Book of Days, Car Talk: The Musical, Click and Clack, Come and Go, Danny Boyle, Darko Tresnjak, Death and the Powers:The Robots' Opera, Diane Paulus, Educating Rita, Elevator Repair Service, F. Murray Abraham, Fragmens, Frankenstein, Howard Benson, Huntington-Theatre-Company, John J. King, Karole-Armitage, Lanford Wilson, Marie-Hélène Estienne, Merrimack Repertory Theatre, Modern Theatre, National Theatre Live, Neil-Labute, Neither, Nick Dear, NPR, NT Live, Opera, Paul, Peter Brook, Poetry, Ray and Tom Magliozzi, Reasons to Be Pretty, Robert Pinsky, Rockaby, Rough for Theatre I, samuel-beckett, Seth Rozin, Shylock, SpeakEasy Stage Company, Stoneham Theatre, The Gamm Theatre, The Merchant of Venice, The Rimers of Eldritch, The Select (The Sun Also Rises), Theatre for a New Audience, Tod Machover, Two Jews Walk Into a War .., Vaquero Playground, Wesley Savick, Weylin Symes, William-Shakespeare, Willy Russell

Coming Attractions in Theater: October 2009

By Bill Marx October includes the usual line-up of plays by seal-of-approval dramatists, Edward Albee and Conor McPherson, but there’s some welcome new blood, from Punchdrunk’s athletic adaptation of “Macbeth” to “Little Black Dress,” playwright Ronan Noone’s latest salvo at our national psyche, and “The Overwhelming,” the Boston premiere of a critically acclaimed study of […]

By: Bill Marx Filed Under: Coming Attractions, Theater, World Books Tagged: American-Repertory-Theatre, Bash, Boston Center for the Arts, Boston Playwrights Theatre, Brandeis Theatre Company, Company One, Conor-McPherson, Edward Albee, Everything in the Garden, J. T. Rogers, Laurie Theater, LIttle Black Dress, Macbeth, Merrimack Repertory Theatre, Neil-Labute, Publick-Theatre, Punchdrunk, Ronan-Noone, Shakespeare, Shawn LaCount, Shooting Stars, Sleep No More, Stephen Dietz, The Overwhelming, The Seafarer, Theater on Fire, Trinity Repertory Company, Who's Afraid of Virginia Woolf

Theater Commentary: Dead American Theater Walking

by Bill Marx In a New York Times article I wrote about earlier this week, dramatist Marsha Norman suggests ways to soften nasty stage reviews, which she claims chase audiences away from the glories of theater and into the decadent arms of television. But how would she discipline a successful homegrown dramatist, Neil LaBute, when […]

By: Bill Marx Filed Under: Featured, Theater Tagged: American-drama, american-theater, american-theatre, Don-DeLillo, Featured, george-Hunka, Howard-zinn, Love-lies-bleeding, Marsha-Norman, Michael-aman, Naomi-Wallace, Neil-Labute, Persona Non Grata, superfulities-redux, The-Lieutenant-of-Inishmore, Theater

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