Naxos
Paul Jacobs, the day’s reigning organ virtuoso, has assayed a fascinating assortment of Americana that showcases the King of Instruments against an orchestra.
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The debut album of Decoda, the first – and, so far, only – affiliate ensemble of Carnegie Hall, and a disc featuring a trio of works by two mid-century Chicago-based composers, Florence Price and Leo Sowerby.
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Auber’s 1831 “Le Philtre” (“The Love Potion”) is an engaging romp that helped give birth to Donizetti’s “L’elisir d’amore.” Immensely popular in his own day, why isn’t it revived more often?
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An album that does admirable justice to one of the most prolific, significant, and increasingly long-lived composers of a remarkable generation.
Read MoreOpera Album Review: A Fittingly Fresh First Recording of a Flexible One-Acter by Donizetti’s Teacher
Johann Simon Mayr’s delicious L’Accademia di musica gets a spiffy performance from the “Rossini in Wildbad” Festival.
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Rossini’s one-act opera from 1812 rings fresh changes on a host of comic-opera clichés.
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This re-release of a superb recording of a major Meyerbeer opera reminds us what treasures are available to opera companies (and college opera programs) willing to step beyond the well-trodden path.
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For Derek Bermel fans, Intonations is a must. For new music enthusiasts and the otherwise curious – ditto.
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Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.
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This first-rate performance highlights the special attractions of the “half-serious” operatic genre.
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