But Mr. Ho’s Brian O’Neill had another idea. What if he took the very inauthenticity of the original music as a motive for putting together things that were never meant to go together originally? Like Bach’s Toccata and Fugue with a Balkan beat?
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But Mr. Ho’s Brian O’Neill had another idea. What if he took the very inauthenticity of the original music as a motive for putting together things that were never meant to go together originally? Like Bach’s Toccata and Fugue with a Balkan beat?