The beauty and power of Chauvet’s art, at once primal and sophisticated, tempers director Verner Herzog’s passion for Homo Sapiens bashing. We do, after all, belong to the very same species as those cave painters. Cave of Forgotten Dreams. Directed by Werner Herzog. At various New England cinemas. By Harvey Blume. It was with some […]
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Movie Review: A Toothless “Red Riding Hood”
In their understandable haste to cash in on the success of the Twilight series, director Catherine Hardwicke and writer David Johnson threw attractive people on a set without bothering to come up with a plot that makes them worth watching. Red Riding Hood. Directed by Catherine Hardwicke. The cast includes Amanda Seyfried, Gary Oldman, Billy […]
Film Review: Shakespeare’s “Tempest,” Technologically Enhanced
Julie Taymor’s film version of William Shakespeare’s The Tempest is conclusive proof that just because we can do something with technology does not mean that we should. Less is often more, and one great text in hand is worth a dozen computers in the mix. And what was the director thinking with the racist portrayal […]
Movie Review: An Unreal “Social Network”
So enough with the nostalgic wistfulness for a bygone era, the tears shed for a generation lost in cyberspace. The popularity of Facebook only serves to prove that we are more interested than ever in human contact. Reviewed by Justin Marble. When reviewing The Social Network, I am going to start at the end. The […]
Music Review: Film Night At Tanglewood A Classics Act
Reviewed by Ron Barnell The celebration of composer John Williams’s 30 year association with the Boston Pops Orchestra was brought to a gala conclusion on August 14th with the orchestra’s annual Tanglewood Film Festival night. Devoted to the performance of select film scores, with accompanying movie clips displayed on large projection screens, the concert presents […]
Film Review: ‘Greenberg’ and the Half-Cooked
Despite some poignant moments, “Greenberg” ends up as a half-cooked film about half-cooked people. Reviewed By Justin Marble In perhaps the most revealing scene in Noah Baumbach’s latest film, “Greenberg,” Ben Stiller’s title character stands in the middle of a party, alone, as the director’s camera slowly moves in on him from above. The partygoers […]