Melville House
As cultural critique, Curtis White’s Transcendent comes across as a modest if chilly yip of Zen resignation.
Steve Stern’s novel about the Jewish expressionist painter Chaim Soutine is more informative than it is engaging.
The volume’s spirited imagination is strong enough to compensate for flaws in its translation.
Critic Paul Berman’s problem with the arts plays too significant a role in his work to be written off as but the tin ear of an historian and social thinker with weightier matters on his mind; his misreading of the arts is a fulcrum of his social thinking. The Flight of the Intellectuals, by Paul…
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