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Mark Rylance

Film Review: “The Outfit” – (The Cutter’s Way)

A subtle, elegant noir mobster film that maintains an aura of tranquility — until the violence begins.

By: Ed Symkus Filed Under: Featured, Film, Review Tagged: Ed Symkus, Mark Rylance, The Outfit, Zoey Deutch

Fuse Theater Review: “Nice Fish” — An Amusingly Big Catch

Nice Fish serves up a deliciously droll brand of American existentialism.

By: Bill Marx Filed Under: Featured, Review, Theater Tagged: American Repertory Theater, Claire Van Kampen, Louis Jenkins, Mark Rylance, Nice Fish

Theater Reviews: Broadway —The Importance of Being Earnest and Jerusalem

Two New York stage productions offer sterling examples of going maximalist in an increasingly minimalist age

By: Bill Marx Filed Under: Featured, Review, Theater Tagged: contemporary, England, English drama, Jersalem, Mark Rylance, Music Box, Royal Court Theatre, The importance of Being Earnest

Theater Review Round-up: Our Man in London

It should be pointed out that in London it is possible to see more shows in a limited time than one can do in the United States. Why? Because it has long been the sensible practice to stagger weekday matinees. By Caldwell Titcomb Shakespeare first, of course. The British quite rightly never tire of “Hamlet.” […]

By: Caldwell Titcomb Filed Under: Books, Featured, Theater Tagged: “The Black Album, All's Well That Ends Well, Anton Chekhov, Arcadia, Bridge Project, Caldwell-Titcomb, Carrie's War, Caryl Churchill, Collaboration, Cottesloe, Dreams of Violence, Duet for One, Dysfunctional Family, England People Very Nice, Ethan Hawke, Francesca Annis, Hamlet, Hanif Kureishi, Helen Mirren, Henry Goodman, J. B. Priestley, Jerusalem, Jez Butterworth, Jude Law, Juliet Stevenson, Katori Hall, Lyttleton, Mark Rylance, Matt Charman, Max Stafford-Clark, Michael Grandage, Michael Morporgo, National-Theatre, Nazis, Nicholas Hytner, Olivier, Phèdre, Racine, Rebecca Hall, Richard Bean, Richard Strauss, Richard Wilbur, Ronald Harwood, Sam Mendes, Simon Russell Beale, Sinéad Cusack, Sir Richard Eyre, Stefan-Zweig, Stella Feehily, Ted Hughes, The Cherry Orchard, The Mountaintop, The Observer, The Silent Woman, The-Winters-Tale, Three More Sleepless Nights, tom-stoppard, War Horse, William Shakeseare, Wyndham Theatre

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  • Jan Mancuso May 25, 2022 at 2:46 pm on Concert Review: Joe Jackson at the Shubert Theatre — A Restlessly Creative Artist at the Peak of his PowersSo envious of those who have seen and will see & hear Joe on this tour. He’s a favorite musician...
  • Joan Lancourt May 25, 2022 at 1:55 pm on Theater Review: “Our Daughters, Like Pillars” — Bearing the WeightSadly, David Greenham and I must have seen different plays. Banal (i.e. lacking in originality or freshness; trite and predictable)...
  • Jana Mestecky May 25, 2022 at 1:52 pm on Theater Commentary: Burnt NortonThank you, thank you, thank you. From one of the Times Nine.
  • Bill Marx, Editor of The Arts Fuse May 25, 2022 at 9:10 am on Arts Commentary: Getting ‘em in the DoorHere is an Azenberg sentiment, quoted in the New York Theatre article, that struck me: "We don’t have an agreed...
  • Mickey May 25, 2022 at 8:38 am on Television Review: “Ozark” — Nowhere to Go But Down“Ozark supplied some vital, if depressing insights, about what liberal Americans really value: money and power,” Seriously? Libs value money...

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