Marin-Alsop
The performance of John Adams’s “City Noir” is swift and characterful, though sometimes pushed perhaps a bit too hard for its own good. The rendition of Leonard Bernstein’s “Serenade” is clear but a bit too safe.
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The Tribeca Film Festival wrapped last week — here’s a selection of the most promising documentaries on view.
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Music in Eight Parts is a welcome and inviting addition to the Philip Glass canon; the Summer of Thomas Adès continues with a stirring new recording of the British composer’s keyboard work; Anna Clyne’s Dance is, without a doubt, one of the finest pieces I’ve heard this year.
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Violinist Michael Barenboim is an exceptional young musician with a famous name who stands on his own two feet.
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Arts Commentary: Classical Musical Chairs
The controversy over the appointment of a woman to become the conductor of the Baltimore Symphony Orchestra boils down to issues of power and gender. By Mark Kroll It’s been a tough year for conductors. In February, David Miller was in southern France conducting “Don Giovanni” with his Bulgarian orchestra when French police burst in…
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