Lyrita
I was pleased to encounter all three compact operas. Lennox Berkeley seems to me more and more an admirable, indeed lovable composer, and a bit of a chameleon. I like him in all his various colors.
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Berkeley’s Nelson reinforces my sense that many fine composers of the twentieth century have largely slid off the map because they did not cater to the obsession of many critics and academics with “the New at all cost.”
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Charles Villiers Stanford’s bold Mass Via victrix is finally heard; Pablo Heras-Casado wraps up his survey of the Mendelssohn symphonies in high style; Anna Shelest completes her performance of Anton Rubinstein piano concertos.
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